• Biography
  • Short Personal Biography
  • Education and Professonal Experience
  • Solo Exhibitions
  • Group Exhibitions
  • Public Collections
  • Works in Public Places
• Sculptural Works
  • Early Works
  • The Human Form
  • Cultural/Environmental
  • Bottle/Coca Cola Form
  • Boyhood Series
  • In The Beginning Was Black Series
  • Editions
  • Public and Private Commissions
• Works on Paper
  • Preparatory Drawings
  • Portrait Drawings
  • In The Beginning Was Black Sketchbook
  • Prints
  • Burn Drawing Series
  • Recent
• Studio
• The Digital Age
  • Drawings and Prototypes
  • Despairing Adolescent
• Media
  • Essays
    • Sculpture & Drawing, Liam Kelly, 1987
    • The Art of Craft, Timothy Anglin Burgard, 1999
    • Boyhood, Maria Porges, 2005
    • HEAD-ON, Richard Speer, 2008
  • Interviews
    • The Savage Approach - Clifford Rainey, Max Jacquard, 1989
    • Clifford Rainey, Art Documentation, and Aesthetic Fundamentalism, Detroit Art Quarterly, 1992
  • The Scripps Research Institute, Breath, 2005
  • Reviews
    • ARTS REVIEW, The Piccadilly Gallery, Mary Rose Beaumont, 1988
    • Clifford Rainey, Heller Gallery, Richard Kollath, 1990
    • Homo Faber, Dorothy Weiss Gallery, 1997
    • Sculpture Magazine, Dorothy Weiss Gallery, Maria Porges, 1998
    • An Obsessive Image, Habatat Galleries, Marsha Miro, 2000
    • Boyhood, Habatat Galleries, William Warmus, 2006
  • Video
• The Sarco Creek Project
• Contacts
  • Gallery
  • Studio
• Curriculum Vitae
• Login