CLIFFORD RAINEY

  • Biography
    • Short Personal Biography
    • Education and Professonal Experience
    • Solo Exhibitions
    • Group Exhibitions
    • Public Collections
    • Works in Public Places
  • Sculptural Works
    • Early Works
    • The Human Form
    • Cultural/Environmental
    • Bottle/Coca Cola Form
    • Boyhood Series
    • In The Beginning Was Black Series
    • Editions
    • Public and Private Commissions
  • Works on Paper
    • Preparatory Drawings
    • Portrait Drawings
    • In The Beginning Was Black Sketchbook
    • Prints
    • Burn Drawing Series
    • Recent
  • Studio
  • The Digital Age
    • Drawings and Prototypes
    • Despairing Adolescent
  • Media
    • Essays
      • Sculpture & Drawing, Liam Kelly, 1987
      • The Art of Craft, Timothy Anglin Burgard, 1999
      • Boyhood, Maria Porges, 2005
      • HEAD-ON, Richard Speer, 2008
    • Interviews
      • Talking Out Your Glass - Podcast
      • The Savage Approach - Clifford Rainey, Max Jacquard, 1989
      • Clifford Rainey, Art Documentation, and Aesthetic Fundamentalism, Detroit Art Quarterly, 1992
    • The Scripps Research Institute, Breath, 2005
    • Reviews
      • ARTS REVIEW, The Piccadilly Gallery, Mary Rose Beaumont, 1988
      • Clifford Rainey, Heller Gallery, Richard Kollath, 1990
      • Homo Faber, Dorothy Weiss Gallery, 1997
      • Sculpture Magazine, Dorothy Weiss Gallery, Maria Porges, 1998
      • An Obsessive Image, Habatat Galleries, Marsha Miro, 2000
      • Boyhood, Habatat Galleries, William Warmus, 2006
    • Video
    • Videos Cont.
  • The Sarco Creek Project
  • Contacts
    • Gallery
    • Studio
  • Curriculum Vitae
  • Login
Media > Reviews
ARTS REVIEW, The Piccadilly Gallery, Mary Rose Beaumont, 1988

Clifford Rainey, Heller Gallery, Richard Kollath, 1990

Homo Faber, Dorothy Weiss Gallery, 1997

Sculpture Magazine, Dorothy Weiss Gallery, Maria Porges, 1998

An Obsessive Image, Habatat Galleries, Marsha Miro, 2000

Boyhood, Habatat Galleries, William Warmus, 2006